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So I turned back to the beginning of the book, feeling slightly hesitant.


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I wasn't sure if this reading experience was going to work out for me. But you know what? It did.

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Once I got past my initial doubt, I ended up really getting into the rhythm of the novel. There are a couple of chapters written in third person - chapters that focus on another character instead of Michael - but the majority of it is written in second person. And I found that Mark Lamprell did a really good job of writing this point of view in a way that had me immersed in the book, connecting with the characters, and wondering how everything was going to turn out.

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I definitely enjoyed it, and I'm now more open to reading second-person-point-of-view novels in the future. Aug 08, Deb rated it really liked it Shelves: fiction-contemporary. The book is about the aftermath of that incident and how it impacts him and his family. I didn't imagine someone could write about being hit by a car in a way that would feel real to me, but he did. Really, this is a light, semi-humorous, family drama with some dark moments. Lamprell also addresses a lot of serious issues like an abusive police officer, racism, child neglect, drug use, and even suicide.

He's struggling with his career as a writer, and trying to support his family. His kids and his wife felt pretty real to me. I was expecting a lot of drama but what you get is a family that really cares about each other. It was really interesting to me that Michael, whose injuries are minimal, explores therapy to resolve the issues raised by the accident.

Plus, after reading about Mark Lamprell, you wonder how the co-writer of Babe in the Big City has transitioned into novels- this is his debut, something you believe you could get behind. His daughter starts acting up at school, his son starts taking drugs, and despite the heroic role his wife plays in his narrative, financial burdens are crippling the family structure. Apr 26, Jacki Julia Flyte rated it really liked it. This is the story of a year in the life of Michael O'Dell: a year that starts with him getting hit on a pedestrian crossing by a car and which then gets progressively worse until he hits rock bottom.

But it's a comedic novel, so while his plight is genuinely moving, it never becomes overwhelmingly so. I put off reading this book because I thought that the fact that it's written in the 2nd person might be too annoying, and it is for oh, all of about two pages until you get sucked in and then you This is the story of a year in the life of Michael O'Dell: a year that starts with him getting hit on a pedestrian crossing by a car and which then gets progressively worse until he hits rock bottom.

I put off reading this book because I thought that the fact that it's written in the 2nd person might be too annoying, and it is for oh, all of about two pages until you get sucked in and then you barely notice it. And now I am kicking myself for putting it off for so long, because it's a lovely book, similar in style to The Rosie Project and just as funny and likeable. It made me laugh out loud in parts and that doesn't often happen.

While the predicaments in Michael's life are thankfully over the top and highly unlikely, the core relationships in his life feel real and genuine and that's where the book's heart lies. A lovely, funny, highly enjoyable book. By writing in the second person, O'Dell's world becomes your own. You feel attached to the characters as if it is a narrative of your life. As Michael's world falls apart following a series unfortunate events, you understand his hardship and want nothing more than for everything to improve.

It is in those dark days that acts so small, and at any other time may seem insignificant, are able to have the maximum influence on a person's life, such as the tenderness he experiences as his 14 year old d By writing in the second person, O'Dell's world becomes your own. It is in those dark days that acts so small, and at any other time may seem insignificant, are able to have the maximum influence on a person's life, such as the tenderness he experiences as his 14 year old daughter squeezes his hand in silence, and in turn you are able to sense that softness and feel overwhelmed with the emotional importance such a small gesture can achieve.

It is this attachment to the emotions of someone else's life that I liked most about the full ridiculous and one that may not have been achieved if it weren't written the way that it is. Jul 13, Vanessa rated it did not like it. Its not often I really, really, don't like a book, but this one really got my goat. Firstly, there's a reason why authors rarely use the second person, and that's because it doesn't work.

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I found this format irritating immediately, so we weren't off to a good start. Perhaps because of Mark Lamprell's insistence on using the second person, I couldn't connect to the main character, wasn't amused by the various over exaggerated "funny" anecdotes and merely felt angry on behalf of his unbelievably pa Its not often I really, really, don't like a book, but this one really got my goat. Perhaps because of Mark Lamprell's insistence on using the second person, I couldn't connect to the main character, wasn't amused by the various over exaggerated "funny" anecdotes and merely felt angry on behalf of his unbelievably patient and long-suffering wife.

The whole thing was depressing, pointless, and for me quite unbelievable, which made for an unsatisfactory read. For goodness sake - the fella was knocked over by a car, didn't break anything, it was a minor accident - but went into a year long depression followed by PTSD - really? For a full 12 months? Feb 27, Calzean rated it it was amazing Shelves: culture-australia , author-australia. Lamprell writes of a normal man, living a normal life, finds himself facing a series of normal setbacks - he is injured in a car accident, his daughter has problems at school, his son is on drugs, the family is persecuted by a deranged policeman, there is financial pressures, the meaning of life escapes him.

As a result he falls into depression. Slowly life turns and the main character realises how lucky he is to have his family's love and how he does serve a purpose. Written in the second person Lamprell writes of a normal man, living a normal life, finds himself facing a series of normal setbacks - he is injured in a car accident, his daughter has problems at school, his son is on drugs, the family is persecuted by a deranged policeman, there is financial pressures, the meaning of life escapes him.

Written in the second person, this is entertaining, realistic, sad and honest. There are no heroes in this book just realism. Jun 29, Nancy rated it really liked it. This is an entertaining, smart, quick, really good read. I loved so many things about this book: 1. Michael and his wife experience some pretty challenging life events, yet they continue to love and support each other 2. The fact that the author doesn't beat the reader over the head with political correctness this is rare with contemporary fiction, and I appreciated it 3.

The term "emotional incontinence" crying , which made me laugh every time I read it Michael comes off as a likeable, yet misgu This is an entertaining, smart, quick, really good read. The term "emotional incontinence" crying , which made me laugh every time I read it Michael comes off as a likeable, yet misguided and confused guy.

You want to see him succeed and overcome. Happy ending-always nice. Highly recommended! A highly entertaining and funny book by a new Australian author about a man who after a freak traffic accident finds his otherwise normal suburban life unravelling. The comedy, which is satirical and observational, serves to expose the more serious revelations he has about the important things in life.

Told in a series of episodes involving his family especially his teenage children the characters and events can be a bit disturbingly familiar in a nice kind of way. Highly recommended for a r A highly entertaining and funny book by a new Australian author about a man who after a freak traffic accident finds his otherwise normal suburban life unravelling.

Highly recommended for a relatively short and satisfying read. Have you ever gone through a stretch of really bad luck that leaves you wondering if, in fact, you might be cursed? This novel explores what it feels like when things go from bad to worse -- and then take a nosedive down from there. The circumstances are so over-the-top and ludicrous that you're hooked immediately and then the novel's gloriously imperfect narrator keeps you reading. A really enjoyable read. May 21, Vontel added it. I might have rated this book higher, had I not finished it at night, and had finished another book earlier.

It does have some good perspectives on trauma, depression, and life and family challenges through the story of an author who is hit by a car while out running. I didn't like it at first - so depressing.

It reminded me of one of those awful movies where one thing after another goes wrong no matter what is done. Frustrating and stressful. But the last quarter of the novel had some insightful words on depression.

Bad Karma: Mark Lamprell on ‘The Full Ridiculous’

And how it's possible to recover from it. Life is worth living. Even when bad things happen to good people. Think less about why you're the only person who has issues with life, and more about you. Compare less.

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Live for you more. Feb 25, Vikki rated it really liked it. This is a charming, believable, ridiculous story. I really appreciate Mark Lamprell's almost downplayed, self-aware character writing about an ordinary person's mental state in a difficult period. The style he's chosen makes it much easier to empathise, suffer and laugh with the narrator. I picked this up just on a whim and I'm glad I did. There are no discussion topics on this book yet. Readers also enjoyed. And just a few notes. During this month, we honor the tremendous history of the African Americans throughout our country — throughout the world, if you really think about it, right?

And their story is one of unimaginable sacrifice, hard work and faith in America. And you understand that. Nobody is going to be better than Ben. You read all about Dr. Martin Luther King a week ago when somebody said I took the statue out of my office, and it turned out that that was fake news.

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It was fake news. The statue is cherished. We have Lincoln and we have Jefferson and we have Dr. Martin Luther King, and we have — but they said the statue, the bust of Dr. Martin Luther King was taken out of the office. And it was never even touched. Very unfortunate. I am very proud now that we have a museum on the National Mall where people can learn about Reverend King, so many other things. Big impact. The folks at the table in almost all cases have been great friends and supporters. And Darrell — I met Darrell when he was defending me on television. And Paris has done an amazing job in a very hostile CNN community.

We need more jobs, we need better wages — a lot better wages. Ben is going to be doing that big league. This is a great group. You really helped me a lot. I want to thank my television star over here. Omarosa is actually a very nice person. And I appreciate it. I really do. Very special. And so I want to thank everybody for being here. We have a fantastic, hopefully, new justice of the Supreme Court.

Your view is restricted to the roof of the vehicle as you race along, siren wailing. Second-person, present-tense narration can easily become the literary equivalent of recording guitar solos backwards — a slightly funky gimmick that gets tired fast. His son is caught holding drugs for a friend who plans to sell them to other kids. And he can no longer find the will to work on his book, which no one seems to want, anyway. Lamprell ties up every loose narrative end with suspiciously little fuss, and what is up until then a dark and bitterly humourous tale suddenly veers into the realm of the Hollywood Happy Ending.

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